cybercrud
/si:'ber-kruhd/ [coined by Ted Nelson] n. Obfuscatory tech-talk. Verbiage with a high {MEGO} factor. The computer equivalent of bureaucratese.
cyberpunk
/si:'ber-puhnk/ [orig. by SF writer Bruce Bethke and/or editor Gardner Dozois] n.,adj. A subgenre of SF launched in 1982 by William Gibson's epoch-making novel `Neuromancer' (though its roots go back through Vernor Vinge's `True Names' (see "{True Names ... and Other Dangers}" in appendix C) to John Brunner's 1975 novel `The Shockwave Rider'). Gibson's near-total ignorance of computers and the present-day hacker culture enabled him to speculate about the role of computers and hackers in the future in ways hackers have since found both irritatingly na"ive and tremendously stimulating. Gibson's work was widely imitated, in particular by the short-lived but innovative "Max Headroom" TV series. See {cyberspace}, {ice}, {jack in}, {go flatline}.
cyberspace
/si:'ber-spays/ n. 1. Notional `information-space' loaded with visual cues and navigable with brain-computer interfaces called `cyberspace decks'; a characteristic prop of {cyberpunk} SF. At the time of this writing (mid-1991), serious efforts to construct {virtual reality} interfaces modeled explicitly on Gibsonian cyberspace are already under way, using more conventional devices such as glove sensors and binocular TV headsets. Few hackers are prepared to deny outright the possibility of a cyberspace someday evolving out of the network (see {network, the}). 2. Occasionally, the metaphoric location of the mind of a person in {hack mode}. Some hackers report experiencing strong eidetic imagery when in hack mode; interestingly, independent reports from multiple sources suggest that there are common features to the experience. In particular, the dominant colors of this subjective `cyberspace' are often gray and silver, and the imagery often involves constellations of marching dots, elaborate shifting patterns of lines and angles, or moire patterns.